In my work, I explore how the current assembly of media, devices, and abstract structures is progressively reshaping our perception of reality — and ultimately, reality itself. Central to my reflection are the changes affecting cultural artifacts: from their perception, mediated by screens, to their online fruition, managed by algorithms, up to the very moment of their creation — where the centrality of the demiurgic artist falters in the face of artificial intelligence.
From this point of view, language — whether visual or lexical — can no longer be understood as a simple means of differentiation, but becomes the field within which to measure the homogenizing effects of mediatized culture. Original expression is therefore distrusted in favor of appropriation, forging, and stealing as alternative modes of production.