I work at the intersection between the virtual and the real, where
images become reality and the concrete dematerialises.
I am interested in how the current assembly of media and devices is progressively reshaping our perception of reality, and ultimately reality itself. From this point of view, language, be it visual or lexical, can no longer be understood as a simple means of differentiation, but becomes the field within which to measure the homogenizing effects of mediatized culture. Central to my reflection are the changes that affect the work of art: from its perception mediated by screens to its online fruition managed by algorithms, up to the very moment of its creation, where the centrality of the demiurgic artist falters in the face of artificial intelligence.