My work sits at the intersection of the virtual and the real, where images become reality, and the concrete dematerialises. By "virtual" I mean that which, by its very nature, opposes material existence: the digital, the imaginary (both personal and collective), the false and the counterfeit, understood in opposition to everything considered true and therefore real. What remains central to me is the ambiguous zone where these dimensions meet, where devices, technologies, and abstract structures mediate between interiority and exteriority, between imagination and expression, shaping our perception of reality and, ultimately, reality itself. In the current contemporary landscape, where every form of expression is appropriated and commodified, I have developed a distrust of expression itself, which is no longer a tool of differentiation but the field in which the homogenising effects of globalised culture become evident. Reproduction, falsification, accumulation, and seriality are employed in my work as alternative modes of production: through them, the problem of expression resolves into a facade, a cliché that conforms to expectations, but whose meaning operates unexpectedly as a critical tool of inquiry.
I work with a broad and intentionally heterogeneous range of media, from digital formats such as real-time footage and 3D graphics, to more canonical media, including sculpture and painting. By embracing stylistic incoherence, I hope my work resists the crystallisation of a recognisable style and instead reflects the fragmented, algorithmically organised conditions in which contemporary images are produced, shared, and consumed.