ArchivorumArk - Study Days in Belgium
In collaboration with Galleria Continua and Fondazione Antonio Ratti
Two study days of exploring archival practices as an artistic and intergenerational dialogue, through exclusive visits and exchanges with diverse cultural sector professionals, fostering critical reflection and a deeper understanding of the field.
The program included:
- An exclusive visit to the studio of internationally renowned artist Berlinde De Bruyckere (Ghent, Belgium), including a visit to Berlinde De Bruyckere. Khorós exhibition at Bozar/Centre for Fine Arts (Brussels, Belgium).
- A visit to CVK - the Flemish Centre for Art Archives, located at M HKA - Museum of Contemporary Art (Antwerp, Belgium), which serves as a hub for the distributed care of art archives and legacies.
- A visit to the Walter Leblanc Foundation, which studies, preserves and promotes the artistic legacy of the artist Walter Leblanc.
Spinning
on top
of a
Hurricane
Spinning on top of a Hurricane
Group Show
at Neverneverland, Amsterdam
Campo Magnetico
Campo Magnetico
Exhibition catalogue
Curated by
Cristina Beltrami
Edited by
Bruno, Venezia
Campo Magnetico
19.07 - 08.09.2024
Palazzetto Tito, Venezia
Curated by
Cristina Beltrami
The residency program of the Bevilacqua La Masa Foundation, founded in 1898, is one of the oldest hospitality programs for young artists. Every year the ateliers located in the prestigious spaces of Palazzo Carminati in San Stae and in the cloister of SS. Cosma and Damiano at Giudecca are awarded by competition to fifteen deserving artists and this year they hosted: Nadezda Golysheva, Alexander Koch, Giuseppe Lo Cascio, Enrico Loquercio, Rebecca Michelini, Carlo Negro, Eric Pasino, Chiara Peruch, Matteo Rattini, Giovanni Sambo , Matilde Sambo, Elsa Scagliarini, Pierluigi Scandiuzzi, Stefano Stoppa, Jacopo Zambello
Press release
https://www.comune.venezia.it/content/campo-magnetico-gli-artisti-degli-atelier-2023-2024
Articles
Exibart
Il Giornale dell’Arte
è ora di alzarsi
2024
Spazio Ordet, Milano
Curated by
Lorenzo Bendetti, Gregorio Magnani, Annie Ratti
Printed by
Milanoprintmakers
The publication é ora di alzarsi is the result of the XXVII CSAV - Artists' Research Laboratory held at Fondazione Antonio Ratti in Como in July 2023, under the guidance of the Visiting Artist Hilary Lloyd.
The CSAV directors and the Visiting Artist asked the participants to identify the most significant and productive aspects of their experience. The unanimous response singled out the atmosphere of commonality, and the open ended experimentation offered by the flexible structure of the course and by Lloyd’s approach, as the core themes. The books stands as a structural echo of these experiences, presenting them as a rich aesthetic exercise melding pictures and writings with a collective and uninhibited poetic lyricism.
Printed in risograph on a A5 format, the book allows for slippages during the printing process and the limited range of colours specific to the technique.
With contribution by: Madeleine Andersson, Vicente Baeza, Biogal (Joni McLaughlin), Ilinca Fechete, Alex Gibson, Joanne Ho, Ammara Jabbar, Bokyoung Jeong, Jacob Lambrecht, Hilary Lloyd, Gregorio Magnani, Rauwanne Northcott, Gianlorenzo Nardi, Matteo Rattini, Leyre Román, Lorenzo Silvestri, Santiago Torresagasti.
The book launch for é ora di alzarsi is planed both in Milano at Ordet and in London at a later date.
This sculpture
doesn’t exist
March 2024
The publication is made up of two intertwined halves: a core of 6 works, created in the last four years, and a written piece to be intended as a textual development of the research process that led to the production of the works presented. Without being an explanation of the latter or an attempt to load them with meanings that do not belong to them, the text is given as a parallel accompaniment that unravels the general panorama within which the thought of each work moves, without ever directly touching its core. This sculpture doesn’t exist and the works included in the volume, together with the text that follows, outline a first attempt to investigate a particular moment in visual culture, imagining its outcomes and possible developments.
Window
28.06 - 25.07.2024
Organized by
Default
The default association in collaboration with the Candiani Cultural Center proposes ˈwɪndǝʊ, a project that represents an exploration of the language of exhibition, uniting research by artists and territory. The action consists in generating a new point of exchange to address cultural production outside the usual flow of distribution, allowing new perceptions and aesthetic experiences through the redevelopment of a site.
Press release
https://www.comune.venezia.it/it/content/w-nd-10-progetti-site-specific-arte-contemporanea
Just for the record
15.03 - 04.08.2024
Windows
Organized by
Default
Most artworks, whether placed in museum spaces, collectors' homes or in offshore storags, are constantly filmed by surveillance cameras. Thousands of monotonous hours of footage are produced continuously every day and night, without any spectators viewing them.
In a context of general proliferation of information and images, works of art are also affected by a general movement of deflagration, which disseminates and multiplies them in the form of photographs, reproductions in catalogues, prints on t-shirts, magnets and cell phone covers . The intensity with which these versions spread constantly tests our perceptive abilities. Limited in the possibility of selecting what to remember and what to forget, we accumulate everything in an endless list whose contents we barely know.
Press release
https://www.comune.venezia.it/it/content/7-10-fotosintesi
MAC Studi d’artista al Centro
14.12 - 28.01.2024
Curators
Caterina Benvegnù and Stefania Schiavon
The exhibition, curated by Caterina Benvegnù and Stefania Schiavon, has the task of highlighting the research of the artists protagonists of the new edition of MAC Artist Studies. It is an opportunity to bring to the Cultural Center the contemporary practices and languages that inhabit the studios in Piazza De Gasperi and which relate to that of the portion of the city. Furthermore, by leaving the walls of MAC, it represents a new way to narrate that space of experimentation which for five years has related to the context of the station area thanks to the work of male and female artists under 35.
Between performance, sound art, installation, photography, theater and art publishing, the works are divided into an ongoing journey, testimony to a process that will unfold in the studios for the next six months.